|Anna-Alisa Belous (costume designer)|
Anna-Alisa Belous received an M.F.A. in textile design from the Art and Design Academy in St. Petersburg, Russia and an M.F.A. in costume design from Brandeis University. She has designed costumes for Nai-Ni Chen Dance Company, Philadanco (PA), Elisa Monte Dance Company, Big Apple Baroque, Dusan Tynek Dance Company, Rebecca Kelly Ballet, Carolyn Dorfman Dance Company, Marymount Manhattan College, The Juilliard School, Actor’s Shakespeare Project (MA), Portland Stage Company (ME), Manhattan School of Music Opera Department, Immigrant Theater, The New School for Drama, LAB Theater, Boston Playwrights Theater (MA), Modus Opera, and Blessed Unrest Company both as set and costume designer. Anna-Alisa works as an Artist in Residence for Dance Department at Williams College, MA. She has been costume designer for Amanda Selwyn Dance Theatre since 2002.
|Sarah Buscaino (dancer)|
Sarah Buscaino was born and raised in New York. She began her dance training at The American Theater Dance Workshop on Long Island under the direction of Madeline Dempster. She graduated magna cum laude from Marymount Manhattan College with a B.F.A. in dance. While at Marymount, she had the opportunity to perform works by Abdhur Rahim Jackson, Alwin Nikolais, Pam Tanowitz, Alessandra Prosperi, Edgar Zendejas, William Soleau, Eric Hawkins, Deganit Shemy, and Jessica Lang. Along with ASDT, Sarah is currently in her fourth season with the Peggy Spina Tap Company. This is Sarah's third season with Amanda Selwyn Dance Theatre.
|Adam Dickerson (dancer)|
Adam Robert Dickerson was born and raised in Colorado. After graduating high school, Dickerson began his training with the Colorado Jazz Dance Company under the direction of Zetta Alderman. He continued his training at Colorado College with Patrizia Herminjard and Debbie Mercer. While at CC, he performed works by Anna Sokolov and Trisha Lai while attending Summer Intensives at the Martha Graham School. Additionally, he choreographed works for the American College Dance Festival (two final gala recognitions), the Grand Prix Semi-finals, and the Colorado Springs Fine Arts Center. Dickerson most recently completed a year with Graham 2 before joining Amanda Selwyn Dance Theatre.
|Manon Hallay (apprentice dancer)|
Manon Hallay was born in France. She starts dancing in the conservatoire de Tarbes and went to Bordeaux at 13 to study in a pre-professional course with Christian Conte and Martine Chaumet (solist at the English national ballet). Two years later, she has been accepted to the Royal Ballet School of Antwerp and had the opportunity to work with choreographer as Sidi Larbi Cherkaoui. She moved to New York two years ago to study at the Alvin Ailey school as a scholarship student. This is Manon's first year as an apprentice with Amanda Selwyn Dance Theatre.
|Zachary Ludescher (video supervisor)|
Zachary Ludescher is a Brooklyn-based filmmaker and co-founder of Dakoit Pictures. Zachary began his career editing numerous shorts, commercials, and documentaries, including the 2006 Mid-Atlantic Emmy Award-winning documentary "LifeLinkPSU: A Road to Independence." Since then, he has branched out into high-definition cinematography, shooting a profusion of both narrative and non-narrative work. In addition to his collaboration with Amanda Selwyn Dance Theatre, he is currently producing Beer Nation, a series for the web that follows this country's beers from brewery to pint glass. His latest piece, Brooklyn is for Lovers, can be viewed online at www.goboHD.com.
|Louie Marin (dancer)|
Louie Marin began his training in San Jose, California, and then moved to Miami where he received his B.F.A. with high honors from the University of Florida New World School of the Arts. In addition to Amanda Selwyn Dance Theatre, he currently works for Carolyn Dorfman Dance Company. He has performed with Sasha Soreff Dance Theater, Paskal Rekoert/Flexicurve, and the Martha Graham ensemble. Louie is a certified in pilates and will be the resident pilates instructor for New Jersey Summer Dance this summer. This is his third season with Amanda Selwyn Dance Theatre.
|Torrey McAnena (dancer/teaching artist)|
Torrey McAnena is originally from Abington, Pennsylvania and received the majority of her early dance training at Metropolitan Ballet Academy under the direction of Lisa Collins Vidnovic. She continued her dance training at Marymount Manhattan College, graduating with a B.F.A in dance with a ballet concentration. She has worked with choreographers and performed works by Kanji Segawa, Kate Skarpetowska, Lar Lubovitch, Pam Tanowitz, Deganit Shemy, Abdur Rahim Jackson, Jane Vorberger, and Anthony Ferro. Currently, Torrey has been selected and dancing in the Cunningham Fellowship Trust workshops. This is Torrey's third season with Amanda Selwyn Dance Theatre and second season teaching for Notes in Motion Outreach Dance Theatre.
|Robert Moore (dancer/teaching artist)|
Robert Moore, from Hamden, Connecticut, began his dance training at New England Ballet and continued training at Dee Dee’s Dance Center and New Haven Ballet. He is an alumnus of the Earl Mosley’s Institute of the Arts, the Merce Cunningham Trust workshop, the Jacob’s Pillow Movin’ Commercial Dance Program, and the Complexions Contemporary Ballet Summer workshop and is now a senior in the Ailey/Fordham BFA Program. He has performed and taught in Mexico as a part of JUNTOS Collective. He has worked with choreographers such as Fredrick Earl Mosley, Ronald K. Brown, Ray Mercer, Jessica Lang, Nicholas Villeneuve, Marcus Willis, Norbert De La Cruz III, Germaul Barnes, Matthew Rushing, and Jacqulyn Buglisi. This is Robert's first season with Amanda Selwyn Dance Theatre.
|Dan Ozminkowski (lighting designer)|
Dan Ozminkowski has a B.F.A. in theatre design/technology from the Conservatory of Theatre Arts & Film, Purchase College. He has collaborated with Amanda Selwyn Dance Theatre since Disturbance in 2006. Recent regional credits include Treasure Island – A New Musical (Arkansas Repertory Theatre); Let Me Down Easy (Arena Stage, Wexner Center, Philadelphia Theatre Company, San Diego Repertory Theatre, Berkeley Repertory Theatre). Additional design credits include Spirit of Uganda 2010, 2012 (North American Tours); Treehouse Shakers (US tours); A Celebration of Maurice Sendak with Tony Kushner (92Y); If You Could See (o/o Broadway); To Walk in Darkness & B*tch (o/o Broadway); Merry-Go-Round Playhouse (Four Musicals). Associate & Assistant work includes: One Night With Janis Joplin (Regional Tour); Impressionism (Broadway), and Le Reve (Wynn, Las Vegas). Nominated, Barrymore PECO Award 2011. A member of United Scenic Artists local 829.
|Emily Pacilio (dancer/teaching artist)|
Emily Pacilio began dancing in Utica, NY and continued her study at Skidmore College. There, she had the opportunity to perform works by Robert Battle, Martha Graham, Lar Lubovitch, and Kevin Wynn, among others, and she graduated Magna Cum Laude with special distinction in dance. Currently, Emily dances for RG Dance Projects, BalaSole Dance Company and Fingerprints Projects. This is Emily's third year with Amanda Selwyn Dance Theatre and first year as a teaching artist with Notes in Motion Outreach Dance Theatre.
|Jenny Gillan Powell (dancer/rehearsal director)|
Jenny Gillan Powell graduated Cum Laude, with a B.F.A. and departmental distinction in dance performance from Southern Methodist University. After graduation, Jenny taught and choreographed for a four week Prodanza festival in Castiglioncello, Italy; and was later invited back to SMU to perform the role of The Virgin in Yuriko's restaging of Martha Graham's Primitive Mysteries. Jenny joined Amanda Selwyn Dance Theatre soon after moving to NYC and then became rehearsal director after her second year with the company. Along with ASDT, Jenny is a company member of Carolyn Dorfman Dance Company. She holds additional fitness certifications in beyondbarre and Pilates and currently teaches a several gyms around the city. This is Jenny's seventh season with Amanda Selwyn Dance Theatre.
|Amanda Selwyn (artistic director/choreographer)|
Amanda Selwyn founded Notes in Motion Amanda Selwyn Dance Theatre in 2000 and in fifteen seasons, has directed over 40 productions, developed a network of artists, and created the curriculum for Notes in Motion Outreach Dance Theatre’s arts-in-education programs. Amanda’s choreographic works include:, Detour, Five Minutes, Passage, Undercurrent, Hearsay, Interiors, Disturbance, Salut, Tilt, Tidal, Shift, Siren, Contradicting Unity, Save My Spot, Hold On, Momentum, and Behind Us. She has choreographed dance for Chicago's Motivity, a collective of modern choreographers; for theatre productions including House on Mango Street, Free to be You an Me, Once Upon a Mattress, The Wiz, Little Shop of Horrors, and Charlie & The Chocolate Factory; and for her original theatre productions which include Herland, Yellow Feather, and Slitting the Clouds. In addition to her choreographic work, Amanda has directed off-broadway theatre in NYC at John Houseman Studio, 30th Street Theatre, Grove Street Theatre, Kraine Theatre, Center Stage, and the Producer’s Club. Amanda teaches dance and theatre to New York City children and has been on faculty at independent schools including The Brearley School, Brooklyn Friends School, Beit Rabban School, Solomon Schechter School, and the New Acting Company. She has taught dance composition and technique at the Berkshire Institute for Music and Art and taught dance and theatre in Israel at the Israel Museum, English Village, and the Arad Community Center. Amanda led the workshop “Accessing Inspiration for Dance-Making” at the NYC Arts-in-Education Roundtable's 2007 Face to Face conference and "Teaching a Choreographic Process" at the 2008 and 2011 conferences. She presented her choreography at NYU’s Women and Theater conference in 2003. She is the recipient of grants from the NY State Council on the Arts, The Harkness Foundation for Dance, the Friars Foundation, the Illinois Arts Council, Lower Manhattan Cultural Council's Community Arts Fund, Bronx Council on the Arts, NYC Department of Cultural Affairs Cultural Development Fund, and the Bossak/Heilbron Charitable Foundation. In 2008, Amanda participated in the Choreographer's Lab program at Jacob's Pillow in Beckett, MA. Her work has been presented twice on Jacob’s Pillow Inside/Out Stage, in the DUMBO Dance Festival, APAP Conference Showcases, the COOL NY Dance Festival, WestFest Dance Festival, Movement Research’s Performance Series, Dance Teacher Summit, Earth Celebrations, Dixon Place, and Pushing Progress at Peridance. Amanda has a 500-hour yoga teacher's certification from Laughing Lotus Yoga Center in NYC and teaches yoga at Laughing Lotus and Crunch Gym in NYC. She has a Masters from NYU’s Tisch School of the Arts in performance studies and a B.S. from Northwestern University in theatre, women's studies, and dance.
|Randall Anthony Smith (dancer)|
Randall Anthony Smith was born in San Diego, California. He recently earned his M.F.A. in Dance from the University of California, Irvine where he also earned two Bachelor's in Fine Arts, one in Dance Performance, the other in Choreography. Smith currently is Donald McKayle's répétiteur and serves as his assistant having performed for McKayle's Etude Ensemble for four years. Smith is a former ballet, modern, and contemporary jazz instructor for the Destin School of Music and Dance and currently serves his alma mater, San Marcos High School as a summer intensive instructor. Smith maintains a practice of performing, restaging and interpreting McKayle's repertory, creating his own dance works, and teaching dance nationally. He has performed with acclaimed ballerina and choreographer, Jodie Gates' in "Mein Zimmer" (2012). Other recent performances include "Landscapes ADF 2011" choreographed by Bulareyaung Pagarlav from Taipei, Taiwan; "Undivided/Divided" (2012) choreographed by Shen Wei; "A Crack in Everything" (2013) from zoe|juniper; "Tundra" (2013) by Chrisitana Axelsen, and "WOW," (2014) an experimental opera created by Joe Diebes, Christian Hawkey, and Adam Levin. Smith currently performs with Armitage Gone! Dance, and is proud to be performing his third season with Amanda Selwyn Dance Theatre.
|Sarah Starkweather (dancer / teaching artist)|
Sarah Starkweather was born and raised in Houston, Texas, where she thrived in the world of competitive dance earning numerous regional and national titles including Miss Dance/Drill Team Texas and International. Sarah earned a B.A. in psychology from the University of Texas at San Antonio and trained under the former Royal Ballet member, Ester Mayer, and former Cuban National Ballet members Ernesto and Katalina Quenedit while performing with Implora Danza and San Antonio Dance Fringe. Sarah is an instructor for one of the most prestigious dance/drill team organizations, Marching Auxiliaries & MA Dance, where she travels coast-to-coast teaching leadership and technique workshops as well as adjudicating regional and national competitions. In St. Louis, Missouri, Sarah worked with Jennifer Medina, Ashley McQueen, and Ashley L. Tate as well as directing the dance teams at Francis Howell and Clayton High Schools before relocating to NYC. This is Sarah’s first season with Amanda Selwyn Dance Theatre.
|Joel Wilhelmi (sound designer)|
Joel Wilhelmi is the theater technical coordinator at the Ailey Citigroup Theater. He is proud to be working with Amanda since 2007! His design credits include Sweeney Todd, Spelling Bee, Snapshot, India Dreaming, Motel Blues, The Heiress, Low Life, Three Women in Indecision, and Bogusnova.. He was sound engineer for many theatre productions including The Listener, Bridge & Tunnel, Dream A Little Dream, Fucking A, Something Old Something New, Blue Surge, Good Thing, The Castle, Evolution, and Hedwig and the Angry Inch, and for films including Palmetto, Madison, Lawn Dogs, People Like Us, The Last Late Night, This Train, Winner Takes All, and My Father’s House. This is Joel's tenth season with Amanda Selwyn Dance Theatre.